The Christmas holidays are always a bit chaotic. Usually we visit both our relatives and in between we wrap gifts, clean up the mess that somehow just comes by itself as soon as we put a foot inside the house, and do laundry. My Etsy life goes on in the background but is kept at the lowest possible activity level, since I simply do not have the time.
This morning I checked in for the first time in days, and what do I see? One of my items has been featured on the front page of Etsy! Now that is a nice surprise. Thank you, treasury maker and Etsy admin!
Sunday, January 2, 2011
Friday, December 10, 2010
New year, new skills?
This is a fun topic. I get to think about new techniques, new tools, materials and books to buy, exploring new effects I haven't been able to achieve before in my jewelry.
For the December blogroll of the Aspiring Metalsmiths we are writing about what skill we want to learn next. I said it was a fun topic, but I have a bit of a problem focusing on one skill. I am just starting out as a metalsmith and well, my skills are limited, and I daily see examples of beautiful jewelry and wonderful techniques I someday hope to try. So I feel like a kid in a candy shop (want everything, but in the kid's case it can't get everything because the money comes from mommy or daddy, and in my case I have limited funds and limited time and limited possibilities of learning certain things by myself and with the tools I currently have or can obtain).
Anyway, it's just too hard to focus on one skill, I can't do it! So I have a list.
riveting
I'm embarrassed to say I have never riveted. People say it's not so hard, but I bet it's hard to get it all pretty, like in this beautiful pendant by Anna of AHeronDesign:
enameling
Glass and its vivid colors has always fascinated me. Glass blowing, stained glass, glass mosaic, glass fusing, doesn't it all sound fun -sigh. Enameling is another glass technique and is as big, finicky and difficult as you want to make it. But maybe, for starters, I could try to make a few simple enameled copper discs. I would need to get a book, enamels in all the colors of the rainbow, some essential tools...
And I will be happy if I some day just know more about how a beautiful pendant like this one by Sue Szabo has been made:
For the December blogroll of the Aspiring Metalsmiths we are writing about what skill we want to learn next. I said it was a fun topic, but I have a bit of a problem focusing on one skill. I am just starting out as a metalsmith and well, my skills are limited, and I daily see examples of beautiful jewelry and wonderful techniques I someday hope to try. So I feel like a kid in a candy shop (want everything, but in the kid's case it can't get everything because the money comes from mommy or daddy, and in my case I have limited funds and limited time and limited possibilities of learning certain things by myself and with the tools I currently have or can obtain).
Anyway, it's just too hard to focus on one skill, I can't do it! So I have a list.
riveting
I'm embarrassed to say I have never riveted. People say it's not so hard, but I bet it's hard to get it all pretty, like in this beautiful pendant by Anna of AHeronDesign:
hinges
Hinges appear to be tricky. When soldering the parts together, things that should get soldered tend not to, and/or parts that shouldn't get soldered together do get soldered together, leaving you with an unhinging mess. But if you do it well, the result could be something like this beautiful locket by Jaime of BellaBijouJewellery:
Glass and its vivid colors has always fascinated me. Glass blowing, stained glass, glass mosaic, glass fusing, doesn't it all sound fun -sigh. Enameling is another glass technique and is as big, finicky and difficult as you want to make it. But maybe, for starters, I could try to make a few simple enameled copper discs. I would need to get a book, enamels in all the colors of the rainbow, some essential tools...
And I will be happy if I some day just know more about how a beautiful pendant like this one by Sue Szabo has been made:
I will post any advances on my side in these techniques in future blog posts, which will be a nice way for me to see how long it'll take me to try them all. :)
Finally, read all about my team friends' aspirations in the following blogs:
- Pennee - http://allwiredupjewelrydesigns.blogspot.com/
- Gayle - http://thisartistsjourney.blogspot.com
- Jessica @ Abella Blue - www.abellablue.com/blog
- Sylvia Anderson - http://www.sylviaanderson.blogspot.com/
- Autumn Bradley - www.autumnbradley.blogspot.com
- Scrollwork Designs - www.thesquarepegnation.blogspot.com
- Claire - http://brightstar109.blogspot.com/
- Carole - http://www.caroleaxiumdesigns.com/journal/
- Heather - http://mistyridgedesigns.blogspot.com
- Brandy - http://thefrogspond.wordpress.com
- Stacy http://formandfunktionaccessories.blogspot.com/
- Steph Stargell Designs - http://stephstargell.com
Monday, November 8, 2010
My work space
The time has come to show you my work space. I haven't felt like doing so before, for a few reasons. My bench is never tidy. I do actually vacuum around my workspace and on the floor (bye bye bits of solder and tiny gemstones I always drop on the floor) but I tend to avoid my bench. There are usually tons of tiny things lying around there in a weird organized chaos, and doing anything there - cleaning-wise - is something that disrupts the organized chaos. But then my team, the Aspiring Metalsmiths, came with the idea of doing coordinated blog posts, the first one of which is due now. Funnily enough I was the one who suggested that it would be 'show us your workspace'.
So no, I haven't felt like showing my work space, and the second reason is that it's not all that impressive. I have a metalsmithing class every week, and I wish I could just take a picture in their studio and pretend it was my bench. Every inch of free space is filled with tools, tools, tools, silver dust and half finished creations. I would like my work space to look creative like that. Instead I mostly feel like it's dirty and messy.
But, no dilly-dallying. The time has come. This is my house, and you can see that it isn't big. It's nice, but not big. Behind that window on the first floor is my work space. It's not perfect: it's dark, there is no water and well, there is the slanting roof. But it's better than the kitchen table and I can just leave my stuff everywhere. ;-)
Here is my work space:
'Scuse the fish eye view but it's the easiest way of showing most things. Since I work with metal clay and silver sheet I alternate between work surfaces. I have a plastic surface I cover my table with when I work with metal clay. On my desk you see some playing cards where it says 'metal clay' and that's where I keep my metal clay items in progress. It happens that my cats walk over my bench and I come back to some crumbles, but I haven't figured out how I can keep them off the bench so I'll have to live with that. So I basically have everything on one table with some tools, wire, cabs, etc in drawers surrounding the area.
The flexshaft bit and file holder on the left is actually a repurposed pipette tip holder from my work. We just throw them away but they are great for these tool bits. I don't even remember what I had before these.
Of course you can also just take a piece of wood and drill some holes in it but this is my solution for now.
I have already shown my kiln but since it's part of my work area I should show it again:
There it is, on four ceramic tiles. Behind it you can see the cupboard with all my receipts and all my stuff for shipping.
I also store my entire essential oil collection there, which I use to make soaps and balms for my other shop, GreenLivingSoap. I won't show you the corner where I keep big bottles of vegetable oils, soap molds, glass bottles, lip balm containers, waxes, etc in cardboard boxes. It's behind my back from where I stand when I take this picture.
When we're allowed to extend our house the plan is to make a real room of this floor, with more cupboard space, and hopefully water. Although the walks up and down the stairs must be good for me in some way.
So this is it for now, my tidy bench (didn't dare to show the before photo, which I'm sure I deleted) and surrounding area.
And finally, a hobby is such a good excuse for buying all sorts of these (not that I bought the Rio Grande catalog, it's just in the same pile):
So no, I haven't felt like showing my work space, and the second reason is that it's not all that impressive. I have a metalsmithing class every week, and I wish I could just take a picture in their studio and pretend it was my bench. Every inch of free space is filled with tools, tools, tools, silver dust and half finished creations. I would like my work space to look creative like that. Instead I mostly feel like it's dirty and messy.
But, no dilly-dallying. The time has come. This is my house, and you can see that it isn't big. It's nice, but not big. Behind that window on the first floor is my work space. It's not perfect: it's dark, there is no water and well, there is the slanting roof. But it's better than the kitchen table and I can just leave my stuff everywhere. ;-)Here is my work space:
'Scuse the fish eye view but it's the easiest way of showing most things. Since I work with metal clay and silver sheet I alternate between work surfaces. I have a plastic surface I cover my table with when I work with metal clay. On my desk you see some playing cards where it says 'metal clay' and that's where I keep my metal clay items in progress. It happens that my cats walk over my bench and I come back to some crumbles, but I haven't figured out how I can keep them off the bench so I'll have to live with that. So I basically have everything on one table with some tools, wire, cabs, etc in drawers surrounding the area.
The flexshaft bit and file holder on the left is actually a repurposed pipette tip holder from my work. We just throw them away but they are great for these tool bits. I don't even remember what I had before these.
Of course you can also just take a piece of wood and drill some holes in it but this is my solution for now.
I have already shown my kiln but since it's part of my work area I should show it again:
There it is, on four ceramic tiles. Behind it you can see the cupboard with all my receipts and all my stuff for shipping.
I also store my entire essential oil collection there, which I use to make soaps and balms for my other shop, GreenLivingSoap. I won't show you the corner where I keep big bottles of vegetable oils, soap molds, glass bottles, lip balm containers, waxes, etc in cardboard boxes. It's behind my back from where I stand when I take this picture.
When we're allowed to extend our house the plan is to make a real room of this floor, with more cupboard space, and hopefully water. Although the walks up and down the stairs must be good for me in some way.
So this is it for now, my tidy bench (didn't dare to show the before photo, which I'm sure I deleted) and surrounding area.
And finally, a hobby is such a good excuse for buying all sorts of these (not that I bought the Rio Grande catalog, it's just in the same pile):
This blog post was part of a team effort, and please check out similar posts by my Aspiring Metalsmiths teammies:
Jessica Lopour - http://www.abellablue.com/blog
Jeanne Millman, Golden Water Creations http://www.goldenwatercreations.blogspot.com/
Sylvia Anderson www.SylviaAnderson.blogspot.com
Steph Stargell Designs http://stephstargell.com
Clarity, Scrollwork Designs, www.thesquarepegnation.blogspot.com
Brandy, The Frogs Pond http://thefrogspond.wordpress.com/
All Wired Up Jewelry Designs http://allwiredupjewelrydesigns.blogspot.com/
Lisa Rippingale Robertson http://sandytoesjewelry.blogspot.com/
Heather, Misty Ridge Designs http://mistyridgedesigns.blogspot.com/
Joy http://joypeckjoy.blogspot.com/
Nancy Creations - http://nancysjewelrydesigns.blogspot.com/
Carole Axium http://www.caroleaxiumdesigns.com/journal/
Jeanne Millman, Golden Water Creations http://www.goldenwatercreations.blogspot.com/
Sylvia Anderson www.SylviaAnderson.blogspot.com
Steph Stargell Designs http://stephstargell.com
Clarity, Scrollwork Designs, www.thesquarepegnation.blogspot.com
Brandy, The Frogs Pond http://thefrogspond.wordpress.com/
All Wired Up Jewelry Designs http://allwiredupjewelrydesigns.blogspot.com/
Lisa Rippingale Robertson http://sandytoesjewelry.blogspot.com/
Heather, Misty Ridge Designs http://mistyridgedesigns.blogspot.com/
Joy http://joypeckjoy.blogspot.com/
Nancy Creations - http://nancysjewelrydesigns.blogspot.com/
Carole Axium http://www.caroleaxiumdesigns.com/journal/
Stacy, Form and Funktion http://formandfunktionaccessories.blogspot.com
Or see the list of blogs here.
Monday, October 25, 2010
I feel so productive!
I tested my kiln this weekend. Granted, I mostly refired items I had already fired, but it was really easy to program and when it was heating up I sat there working on other things with a bunch of rings, earrings and a pendant in the kiln. Such a nice feeling.
Here it is, all plugged in and ready to go. I have a Prometheus medium sized kiln, with an inner chamber of about 20 cm width. The lid lifts up and when firing it is down but not locked. It hardly releases any heat, despite the loose door and the peephole in the front. So far my cats have shown no interest in the kiln, but eventually after restructuring my work space, I may want to put it higher up somewhere. I don't want to risk any burnt cat paws.
A ceramic tile/shelf came with the kiln, and since I had no sensitive items I put everything directly on the shelf and fired at 800C for 30 minutes. All of the metal clay I had in the kiln was PMC3, which fires at relatively low temperatures.
This is what the items looked like after they came out of the kiln:
And after an hour or so in the tumbler:
:) Yay! I'm already happy with it. :)
Here it is, all plugged in and ready to go. I have a Prometheus medium sized kiln, with an inner chamber of about 20 cm width. The lid lifts up and when firing it is down but not locked. It hardly releases any heat, despite the loose door and the peephole in the front. So far my cats have shown no interest in the kiln, but eventually after restructuring my work space, I may want to put it higher up somewhere. I don't want to risk any burnt cat paws.
A ceramic tile/shelf came with the kiln, and since I had no sensitive items I put everything directly on the shelf and fired at 800C for 30 minutes. All of the metal clay I had in the kiln was PMC3, which fires at relatively low temperatures.
This is what the items looked like after they came out of the kiln:
And after an hour or so in the tumbler:
:) Yay! I'm already happy with it. :)
Tuesday, October 19, 2010
On coral and ethically sourced jewelry
On October 15th, Etsy posted an article in their Craftivism blog about the use of coral in jewelry. The featured person in this article was someone who made a statement against buying coral and pointed to the 'Too Precious to Wear' campaign by SeaWeb, urging buyers to sign the pledge not to buy any jewelry with coral.
This was met by both hurrays and angry outbursts from Etsy sellers. From the comments to the article it was clear that many Etsy sellers had not been aware that coral is not always gathered legally and/or in an environmentally friendly way. Others pointed out that very few materials in jewelry making are mined in a way that does not damage the natural environment or the local miners and stone cutters. Someone also linked to a Newsweek article in which it becomes clear that not all coral gathering is a threat to the environment.
So what do I do? I do what I can, within my limitations. I save all my silver scrap and will send it to a jewelry supplier for recycling. Most jewelers do this with their precious metals scrap. It is a great way to save money and you contribute to an increased use of recycled metal. I also love to buy stones that can be traced to the source and that have been cut by for instance Etsy sellers. People you can talk to. Not anonymous laborers who work 18 hours a day in bad conditions for meager wages. Those ethically sourced stones are relatively expensive, and I must admit that these are not all I buy. I have bought from eBay and from other sources where origin and other information is not disclosed. I wish each stone or piece of metal had an 'ethics and environment' rating and we jewelers could decide on that basis if we would be willing to buy such an item.
But alas, that is not the case. We have no idea what sort of business we support by purchasing a gemstone. A safe bet, if you want to avoid a guilty feeling, is to buy laboratory made gemstones. Many precious gemstones can now be made in the laboratory, even opal. They are most often cheaper than mined stones, but can be a bit lifeless. Flawless gemstones are somehow much more interesting if they are natural than if they are lab made. That will not change, but if you really feel strongly about these matters lab made stones are good alternatives.
As a customer you can also request ethically produced jewelry. The gemstones market is like any other market. If the demand for ethically mined products increases, the products will follow. In the mean time we can do what we can to drive the development into the right direction.
This was met by both hurrays and angry outbursts from Etsy sellers. From the comments to the article it was clear that many Etsy sellers had not been aware that coral is not always gathered legally and/or in an environmentally friendly way. Others pointed out that very few materials in jewelry making are mined in a way that does not damage the natural environment or the local miners and stone cutters. Someone also linked to a Newsweek article in which it becomes clear that not all coral gathering is a threat to the environment.
So what do I do? I do what I can, within my limitations. I save all my silver scrap and will send it to a jewelry supplier for recycling. Most jewelers do this with their precious metals scrap. It is a great way to save money and you contribute to an increased use of recycled metal. I also love to buy stones that can be traced to the source and that have been cut by for instance Etsy sellers. People you can talk to. Not anonymous laborers who work 18 hours a day in bad conditions for meager wages. Those ethically sourced stones are relatively expensive, and I must admit that these are not all I buy. I have bought from eBay and from other sources where origin and other information is not disclosed. I wish each stone or piece of metal had an 'ethics and environment' rating and we jewelers could decide on that basis if we would be willing to buy such an item.
But alas, that is not the case. We have no idea what sort of business we support by purchasing a gemstone. A safe bet, if you want to avoid a guilty feeling, is to buy laboratory made gemstones. Many precious gemstones can now be made in the laboratory, even opal. They are most often cheaper than mined stones, but can be a bit lifeless. Flawless gemstones are somehow much more interesting if they are natural than if they are lab made. That will not change, but if you really feel strongly about these matters lab made stones are good alternatives.
As a customer you can also request ethically produced jewelry. The gemstones market is like any other market. If the demand for ethically mined products increases, the products will follow. In the mean time we can do what we can to drive the development into the right direction.
With this entry I intend by no means to give you a comprehensive overview of good suppliers, it is mainly my reflections and an illustration of the complexity of this business. Feel free to post any tips for suppliers and anything else of interest in the comments section. You may even promote your own shop if you like. I can start by showing you these yummy rings by fellow Etsyan MieleMelograno, who stumbled across a Kenyan supplier of fair trade gemstones. Check out these yummy rings:
Sunday, October 17, 2010
Frosty is approaching
So far there has been frost a few times, but it has been warm-ish in between and I have been able to use leaves for my jewelry projects as before. But now that ship has sailed. This morning we had ice on the pond and at sunset the ice was still there.
Cold!
The fern I use to make my fern rings has given up for this year:
Cookie, our other cat is often staying indoors despite nice sunny weather. We try to tell her, Cookie, it will get worse! Remember last year when we had snow from December to April and you were so frustrated we had to change the sofa cloth the following spring? So go out while there is no snow! So she goes out for a minute or two and sits in the sun, and then she goes back inside, where its warm.
But so far it is so very pretty outside, look here:And some brave flowers still hold out, but not for long..
Thursday, October 14, 2010
Buns in the oven
Well, not yet. No matter how you interpret the title, it's not true. But I have taken the leap. A big step for me and my bank account. I have purchased...
... a kiln.
<- this one!
:)
It's true! Within (hopefully) a few days I will have a brand new kiln that will open up new worlds for me. With it I can fire more types of metal clay, I can make larger objects, hollow objects, I can enamel, fuse glass, and even make small ceramics things! Had it been any cheaper, I would have bought it a long time ago. On the other hand, it's an investment, right? That is always a good thing to say when you really want to buy something. And that is exactly my reasoning when I indulge in the most costly sin I currently have: stone buying. I figure, can't go wrong with stones, right? They don't lose value, they last forever. The only risk there is is that I accumulate so many that I will either forget about half of them or never find them in my badly organized piles and boxes of stones.
So I organized some of my stones:
See, that looks nice! The shameful part is that this is not nearly my entire collection. Ahem.
I put myself on a stone diet that lasted from the middle of June to the beginning of September. During that time I did very well, but afterwards I was right back where I started. Sometimes I feel like an addict!
Here are some of my more recent purchases:
Aren't they great? Now I'll just have to make something with them and the multiple other beauties I have lying around..
... a kiln.
<- this one!
:)
It's true! Within (hopefully) a few days I will have a brand new kiln that will open up new worlds for me. With it I can fire more types of metal clay, I can make larger objects, hollow objects, I can enamel, fuse glass, and even make small ceramics things! Had it been any cheaper, I would have bought it a long time ago. On the other hand, it's an investment, right? That is always a good thing to say when you really want to buy something. And that is exactly my reasoning when I indulge in the most costly sin I currently have: stone buying. I figure, can't go wrong with stones, right? They don't lose value, they last forever. The only risk there is is that I accumulate so many that I will either forget about half of them or never find them in my badly organized piles and boxes of stones.
So I organized some of my stones:
See, that looks nice! The shameful part is that this is not nearly my entire collection. Ahem.
I put myself on a stone diet that lasted from the middle of June to the beginning of September. During that time I did very well, but afterwards I was right back where I started. Sometimes I feel like an addict!
Here are some of my more recent purchases:
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| Lovely lavender burro creek jasper from Etsy seller CabochonDesigner |
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| Pink and green drusy cabochon from Etsy seller StoneTemple |
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| A wonderful gold calico lace cabochon from Etsy seller cabbingrough |
Aren't they great? Now I'll just have to make something with them and the multiple other beauties I have lying around..
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